GLOCKENBUCH IV – Spectre Santa Maria dei Carmini

Marcus Schmickler + MFO

Marcus SchmicklerMarcel Weber

Year
2023
Topic
Immersive Sounds

Cologne-based composer Marcus Schmickler presents Glockenbuch IV (Spectre Santa Maria dei Carmini), an installative audio multi-channel performance based on the sounds of the bells of the Venetian church of Santa Maria dei Carmini. Schmickler explores the complexity of the bell sound, its counterpoint and articulation, and develops the potential of the plenum electronically.

GLOCKENBUCH IV is a sound ritual for computer and bells, a live concert of electronic music for 8 to 24 loudspeakers based on church bells of Venice, which have shaped the social and religious life of the Venetian community for centuries. The project creates an immersive experience where the audience can experience a dramatized space and a deep listening perspective, as if listening from inside the crystalline bronze materials of individual church bells.

“The title Glockenbuch IV refers to a directory called Glockenbuch der Stadt Köln, which I discovered a few years ago. It contains the exact cartography of all the bells in the city where I grew up. The document, which runs to about 900 pages, records not only the bells of all of Cologne’s 200 or so churches, but also their entire origins, including bell foundries and acoustic data. It includes all inscriptions and engravings as well as weights. In addition, there is information about the sound of these approximately 700 bells. Interestingly, the bells are not measured in frequencies, but in musical intervals and microintervals.” MS

Composition, Performance: Marcus Schmickler
Sound dramaturgy: Julian Rohrhuber
Lighting project: Mfo
Commission: La Biennale di Venezia
Production: La Biennale di Venezia 2023

Many thanks to: Alberto de Campo and the NESS project at the University of Edinburgh for supporting the project. Note: The NESS codes are the result of the ERC-funded project StG-2011-279068-NESS: Next Generation Sound Synthesis. The NESS web interface is managed by the Edinburgh College of Art at the University of Edinburgh Thanks to: Parrocchia dei Carmini

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